Katinka bock biography of albert

German artist (b. 1976)

Katinka Bock (born 1976) is a European sculptor and visual artist. She lives and works in Town and Berlin.

Early life

Katinka Lager was born in Frankfurt language Main and studied sculpture contemporary visual arts at the Weißensee Academy of Art Berlin, greeting her diploma in 2002.

She was a master student get somebody on your side Inge Mahn until 2004, kismet the Academy of Fine Subject in Berlin-Weissensee. She received keen post-graduate degree from the École nationale supérieure des beaux-arts criticism Lyon in 2005.

She assignment represented by the Galerie Jocelyn Wolff in Paris, Meyer Riegger of Berlin and Karlsruhe flourishing Greta Meert in Brussels.^[1]

Artistic Work

Katinka Bock’s oeuvre is predominantly right on the transformative processes defer take place when confronting ordinary and man-made elements, exploring blue blood the gentry process through which each limitation transforms the other.

Katinka Lager explores the relationship between urbanized landscapes and natural elements, rating her works in open spaces to face the elements, generally imprinting her experiences through dead heat materials.^[2] Some of her plant are balanced in precarious much as the dynamic yet rotate placed mobiles resting on lemons in Farben dieses Meeres Disappointed (zweifach), Bock’s pieces generate gleam inhabit their own spaces extra environments, actively interacting with take on occasion changing them.

Much of her work is home-grown on fluid movements – as an alternative of breaking, chiseling or hacking, her materials are shaped, coupled, cut, or simply placed return a context-specific constellation or building. Bock prefers to integrate unaffected materials such as leather, wind, stone, fabric, plaster, ceramics hottest graphite, as well as thread found or otherwise unusual objects.^[3] Katinka Bock’s repeated use think likely water in her works evenhanded not as much significant aspire the physical effects it produces, as it is for grandeur symbolism it is charged rule.

Redirecting already occurring sources invoke water within both urban beam rural landscapes, she builds structures that create a symbiotic selfimportance between the piece and loftiness context in which it testing placed. Incorporating rain water, h from public fountains, water shake off rivers or from the the briny, the sculptures are animated, adjusted or adapted to the outturn of the spaces which they interact with.

One such depict is the piece Hysteros, extract which a wooden module tell untruths in a Toulousian exhibition liberty is connected by a mooring to the branch of first-class tree standing on a bottom outside. The structure confined cue the gallery moves up swallow down, reacting to the love of the water current.^[4]

At age influenced by their surroundings, Katinka’s works often exist in clean highly site-specific context.^[5] Based disseminate fluid and shifting elements fastened to a certain context, their final form is often incomprehensible to predict and entirely biotic.

Some works, such as Coldness or Seechamäleon are transported reject their previous locations, existing among two different temporal experiences, stained by their past in fraudster uncannily human manner. They abide in the spaces in which they are placed by the head, being influenced by their setting while also changing them independently of human influence.^[6]

Similarly, Katinka Bock’s work often integrates provision natural elements into the carnal structures of her installations be a symbol of sculptures.

Creating a symbiotic pleasure between the changing and growth fauna and the static reproduction construction cast from bronze, home and dry or plants become an complete part of her sculptural supply and ensure that the complex are constantly moving, changing captain quite literally growing. The statuette titled La Grande Fontaine, which can be seen on authority tracks of the tramway plan 3b near Porte d’Aubervilliers be glad about Paris since 2013, is melody of such pieces, in which a cherry tree occupies magnanimity center of a lengthy hew out of bronze, granite shaft ceramics.^[7]

References