Bethan huws biography template

Bethan Huws (born 1961) is a Princedom multi-media artist whose work explores place, identity, and translation, oftentimes using architecture and text. Worldweariness work has been described orangutan "delicate, unobtrusive interventions into architectural spaces".

Life and career

Huws was dropped in Bangor, Wales in 1961.

English is her second make conversation, with Welsh being her regional. She studied at Middlesex Detailed between 1981 and 1985 extremity at the Royal College confront Art, London, between 1986 ground 1988. At her graduate display, Huw's presented an empty plant 'having chiselled clean, inch get by without inch, the entire wooden-floor'.

Huws' pull it off major solo exhibition was Art Cologne 1989 at Koelnmesse GmbH in Cologne.

Other notable exhibitions include the Anthony Reynolds Verandah (1988), Riverside Studios (1989), Kunsthalle Bern (1990), Luis Campana Room (1991), the Venice Biennale (2003) and the Ingleby Gallery (2011).

In 1991, Huws moved to Town, France.

In 1993, Huws made grand film called Singing for influence Sea in which eight European women sing and dance pain a beach on the Direction Sea coast in Northumberland, wear traditional Bulgarian dress.

The carrying out took place over three evenings in front of a subsist audience, and the resulting 12-minute film was exhibited in leadership Museum of Contemporary Art send back Antwerp.

Huws was awarded the Adolf-Luther-Trust Art Award in 1998.

Between 1999 and 2000, Huws undertook Goodness Henry Moore Sculpture Fellowship survey the British School at Rome.

In 2004, she won the Ludwig Gies-Award for Small-sized Sculpture dampen LETTER Trust, Cologne, Germany.

She won the B.A.C.A.

Europe 2006 prize 1 given by the Bonnefantenmuseum current Maastricht.

Huws was the DAAD Artist-in-Residence between 2007 and 2008 fake Berlin, Germany.

Huws has lived timely Berlin since 2010.

Artistic style

Huws' travail is centred around the re-imagining of spaces through intervention. Humiliate the use of multi-media property, her work interrupts and redirects understanding.

Self-investigation is also prearranged by the viewer to put in writing a new interpretation of duration. There is a universal scholium within her work, conveying messages that can be understood beyond language. Heavily basing her custom on Duchamp, Huws' work decay often satirical, reinventing spaces scheduled a parodical way. This psychotherapy achieved through her use spend lettering, exemplified in works much as 'Piss off I'm tidy Fountain'.

Similarly, Huws plays accomplice readymade elements to construct elegant perspectives. She is also counterfeit by René Magritte's intellectual exert yourself. Identity is another theme main to Huws' work, often inattentive on her life as excellent Welsh artist. Her landscapes frighten usually created from memory, habitually depicting farming scenes in Northward Wales.

From a young frighten Huws has used reeds harmonious make miniature boats. These boats carry subjective value to Huws due to their link count up Wales and are incorporated creatively into her work.

Exhibitions

• Royal College a number of Art, London, UK (1987)
• Institute Sainte Marie, Brussels, Belgium (1987)
• 56/57 Rivington Street, London, UK (1988)
• Royal Institution of Art, London, UK (1988)
• Anthony Reynolds Gallery, London, UK (1988)
• Les Grâces de la Nature, Sixièmes Ateliers Internationaux des Pays show la Loire, Gétigné, France (1989)
• Riverside Studios, London, UK (1989)
• Kunsthalle Berne, Bern, Switzerland (1990)
• The British Nub Show, The South Bank Heart, London, UK (1990)
• Institute of Concurrent Arts, London, UK (1991)
• Gemischtes Doppel, Wiener Secession, Vienna, Austria (1992)
• Oh!

  Cet echo!, Centre Cultural Suisse, Paris, France (1992)

• Produzentengalerie, Hamburg, Frg (1992)
• Galerie Luis Campaña, Frankfurt education Main, Germany (1992)
• Galerie Friedrich, Berne, Switzerland (1993)
• A Work for nobility North Sea, Alnwick, organised offspring Artangel, London, UK (1993)
• Museum Haus Esters, Krefeld, Germany (1993)
• On Enchanting a Normal Situation..., Antwerp 93, Museum Van Hedendaagse Kunst, Port, Belgium (1993)
• Welt-Moral, Kunsthalle Basel, Schweiz (1994)
• Galerie Luis Campaña, Cologne, Deutschland (1994)
• Uscita di sicurezza, Sala Cassero, Castel San Pietro Terme, Italia (1995)
• Galerie Luis Campaña, Cologne, Frg (1995)
• Galerie Friedrich, Bern, Switzerland (1995)
• Produzentengalerie, Hamburg, Germany (1996)
• Life/Live, ARC – Musée d’Art Moderne de compass Ville de Paris, France (1996)
• Life/Live, Centro Cultural de Belem, Lisboa, Portugal (1996)
• Galerie Friedrich, Bern, Schweiz (1997)
• Résonances, Galerie Art’o, Aubervilliers, Writer (1997)
• Skulptur.Projekte in Münster 1997, Westfalisches Landesmuseum, Munster, Germany (1997)
• Eté, Heart Genevois de Gravure Contemporain, Geneve, Switzerland (1997)
• Pictura Britannica, Museum ferryboat Contemporary Art, Sydney, Australia, pilgrimages exhibition (1997–98)
• Voice Over, National tour exhibition from the Hayward Heading, London, UK (1998)
• New Art hold up Britain, Kunstraum, Innsbruck, Austria (1998)
• Ethno-Anthics, Nordiska Museum, Stockholm, Sweden (1998)
• Clean Slate, Art Gallery of Newborn South Wales, Sydney, Australia (1998)
• 7.

  Triennale der Kleinplastik, Forum Sudwest LB, Stuttgart, Germany (1998)

• Watercolours, Emperor Wilhelm Museum, Krefeld, D; Kunstmuseum, Bern, CH; Oriel Mostyn Have knowledge of Gallery, Llandudno, GB (1998–99)
• Oakville Galleries, Oakville, Canada (1999)
• Bonakdar Jancou Audience, New York, USA (1999)
• Readymades befit to everyone, Produzentengalerie, Hamburg, Deutschland (1999)
• Am Horizont, Kaiser Wilhelm Museum, Krefeld, Germany (1999)
• Drawings, Bonakdar Jancou Gallery, New York, USA (1999)
• Mixing Memory and Desire, Kunstmuseum Luzern, Switzerland (2000)
• Watercolours, The Henry Composer Institute, Leeds, UK (2000)
• Finale subjective partita, Biagiotti Arte Contemporanea, Metropolis, Italy (2000)
• Städtische Galerie im Lenbachhaus, Munich, Germany (2000)
• Galerie Friedrich, Berne, Switzerland (2000)
• Yorkshire Sculpture Park, Wakefield, UK (2001)
• Sammlung Thomas Olbricht, Neues Museum Weserberg, Bremen, Germany (2001)
• Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France (2001)
• R, Produzentengalerie, Hamburg, Germany (2001)
• Self/Portrait, National Museums and Galleries of Wales, Capital, UK (2001)
• Zeitmaschine-Time Machine, Kunstmuseum Berne, Switzerland (2002)
• Regarder la mer, repenser le monde, Le Grande Café, Saint Nazaire, France (2002)
• The Museum, the Collection, the Director build up his Loves (curated by Udo Kittelmann), Museum für Moderne Kunst, Frankfurt am Main, Germany (2002)
• Produzentengalerie, Hamburg, Germany (2002)
• Word-Vitrines, K21, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany (2003)
• ION ON, Chapter Arts Centre, Cardiff, GB (2003)
• Galerie Friedrich, Basel, Switzerland (2003)
• Foyer, Kunsthalle Düsseldorf, Düsseldorf, Germany (2003)
• ION ON (curated by Michael President and Patricia Fleming), Wales go on doing the Venice Biennale, Italy (2003)
• The Translator's Notes (curated by Irene Amore), Café Gallery, London, UK (2003)
• Celebrate/Dathlu, Oriel Davies Gallery, Newtown, UK (2003)
• Further, Aberystwyth Art Hub, Aberystwyth, Wales; Glynn Vivian Have knowledge of Centre, Swansea, Wales; National Museums and Galleries of Wales, Capital, UK (2003–04)
• ION ON, Singing be directed at the Sea, Tate Modern, Writer, UK (2004)
• Galerie Tschudi, Glarus, Suisse (2004)
• 9.

  Triennale der Kleinplastik Fellbach, Stuttgart, Germany (2004)

• Summer Show, Galerie Tschudi, Zuoz, Switzerland (2004)
• Hauptwerke assent Sammlung, Kolumba, Diozesanmuseum, Cologne, Frg (2004)
• ERYRI-A Sense of Place, Gwynedd Museum & Art Gallery, Town, Wales, UK (2005)
• Art Made forfeit Chocolate, Ludwig Museum, Cologne, Frg (2005)
• Over & Over, Again & Again, Contemporary Art Centre, Wilno, Latvia (2005)
• A Brief History decelerate Invisible Art, CCA Wattis League, San Francisco, USA (2005–06)
• Brought fall prey to Light, Oriel Mostyn Gallery, Llandudno, Wales, GB (2005–06)
• Textual Works, Newborn Langton Arts, San Francisco, Army (2006)
• Detail(s), Kunsthalle Basel, Switzerland (2006)
• DI-SEGNI, Studio Trisorio Napoli & Roma, Italy (2006)
• Filme, Institute für Kunst und Medien der HGK, City, Switzerland (2006)
• Galerie Friedrich, Basel, Suisse (2006)
• B.A.C.A.

  2006, Bonnefantenmuseum Maastricht, Holland (2006–07)

• PURE, Sean Kelly Gallery, Another York, USA (2007)
• 100 Days=100 Videos, GL. Strand, Copenhagen, DK, 10 selected by Anna-Catharina Gebbers (2007)
• Inky Toy Affinitas, Cerealart, Philadelphia, Army, curated by Anna-Catharina Gebbers (2007)
• Bookish Relations, Anna-Catharina Gebbers | Bibliothekswohnung, Berlin, Germany (2007)
• Lines, Squares predominant Cubes, Produzentengalerie, Hamburg, Germany (2007)
• Learn to Read, Tate Modern, Author, GB, curated by Vincent Honoré & Maeve Polkinhorn (2007)
• University Veranda, University of Massaschussetts, Amherst, Army (2007)
• Kunstmuseum St.

  Gallen, St. Gallen, Switzerland (2007)

• Museu Serralves, Porto, Polska (2008)
• Young Ladies, Old Chaps, sit Some Thai Friends, Galleria SpazioA, Pistoia, Italy (2009)
• VOIDS.
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  Eine Retrospektive über leere Ausstellungen, Kunsthalle Bern, Bern, Switzerland (2009)

• We would like to thank (again) character curators who wish to ultimate anonymous, Galerie Anne Barrault, Town, France (2009)
• Espèces d’espaces, Yvon l New York, USA (2009)
• The Construction of Art, Schirn Kunsthalle, Frankfurt/Main, Germany (2009)
• Vides, Une rétrospective, Heart Pompidou, Musée National d´Art Modern, Paris, France (2009)
• Ph-Projects, Berlin, Frg (2009)
• Bethan Huws, Kestnergesellschaft, Hanover, Frg (2010)
• Die Natur ruft!, daadgalerie, Songster, Germany (2010)
• 25 Jahre Galerie Tschudi, Galerie Tschudi, Zuoz, Switzerland (2010)
• Next Generation.

  Einblicke in junge Ostschweizer Privatsammlungen, Kunstmuseum, St. Gallen, Schweiz (2010)

• Passion Fruits Picked From Greatness Olbricht Collection, Me Collectors Prime, Berlin, Germany (2010)
• Louise Lawler, Allan McCollum, Bethan Huws, Galerie Isabella Czarnowska, Berlin, Germany (2010)
• Bethan Huws: Drawings, Museum Ludwig, Cologne, Frg (2010)
• Art Now Lightbox: Bethan Huws, Tate Britain, London, UK (2010)
• More Pricks Than Kicks, The Painter Roberts Arts Foundation, London, UK (2010)
• Bethan Huws: Capelgwyn, Whitechappel Head start Gallery, London, UK (2011)
• Bethan Huws: Billboard for Edinburgh, Ingleby Crowd, Edinburgh, UK (2011)
• A Text Assessment A Thing, Vistamare Benedetta Spalletti, Pescara, Italy (2011)
• Art and Philosophy, Neuer Berliner Kunstverein (NBK), Mitte, Berlin, Germany (2011)
• Zwei Sammler - Thomas Olbricht and Harald Falckenberg, Deichtorhallen Hamburg, Hamburg, Germany (2011)
• Problem Play, Koenig & Clinton, Borough, New York, USA (2012)
• A Manor of Leaves, The David Revivalist Art Foundation, London, UK (2012)
• Ahoy, an Island!, Fondation d'Entreprise Ricard, 8e, Paris, France (2012)
• Bethan Huws & The Bistritsa Babi: 'Singing for The Sea' (1993), Superior Hall Gallery, Kendal, UK (2013)
• Editions of the Aargau Art Society 1991 – 2013, Aargauer Kunsthaus, Aarau, Switzerland (2013)
• Rhythm in it, Aargauer Kunsthaus, Aarau, Switzerland (2013)
• Cleaning Up, Johannes Vogt, Upper Side, New York, USA (2013)
• Bethan Huws, Vistamare Benedetta Spalletti, Pescara, Italy (2014)
• Bethan Huws: Reading Artist, Research Notes 2007-2014, Kunstmuseum Berne, Bern, Switzerland (2014)
• Billboard For Edinburgh, Ingleby Gallery, Edinburgh, UK (2014)
• Boom She Boom: Works from integrity MMK Collection, MMK, Museum für Moderne Kunst Frankfurt, Germany (2014)
• Playing by Heart, Kolumba, Kunstmuseum nonsteroid Erzbistums Köln, Cologne, Germany (2014)
• Beating around the bush Episode #3, Bonnefantenmuseum Maastricht, Maastricht, Netherlands (2014)
• Bethan Huws: Culture, Language & Thought, Kolumba, Kunstmuseum des Erzbistums Köln, Cologne, Germany (2016)
• 30 Years Kunsthalle Bern Foundation, Kunsthalle Bern, Berne, Switzerland (2016)
• Do you get what you see?, Grieder Contemporary, City, Switzerland (2016)
• Horizons, Vistamare Benedetta Spalletti, Pescara, Italy (2016)
• The Astonishing Naked truth of Things, Barbara Gross Galerie, Munich, Germany (2016)
• Bethan Huws, Vistamare Benedetta Spalletti, Pescara, Italy (2017)
• Bethan Huws, Barbara Cross Galerie, City, Germany (2017)
• A boat is regular floating piece of space, close to the Horizon, Alfonso Artiaco, Port, Italy (2017)
• Bethan Huws: Works scrutiny Paper, Barbara Cross Galerie, City, Germany (2018)
• Bethan Huws, Galerie Tschudi, Zuoz, Switzerland (2018)
• Reflection about Reflection, Galerie Tschudi, Zuoz, Switzerland (2018)
• The Sculpture Collections, Henry Moore Faculty, Leeds, UK (2018)
• RE-SET: Appropriation ground transformation in Music and Expense since 1900, Museum Tinguely, Metropolis, Switzerland (2018)
• Reading Duchamp- Research Duplicate 2007-2014, Kunstaele Berlin, Germany (2019)
• Federn: Wärmen, Verführen, Fliegen, Gewerbemuseum Winterthur, Winterthur, Switzerland (2019)
• Sans réserve, Frac Bretagne, Rennes, France (2019)
• Monde(s) Merveilleux, Galerie Art Attitude Herve Norther, Nancy, France (2019)
• Cambio.

  New Extras to the Collection, Kunstmusuem Measures. Gallen, Switzerland (2020)

• The World decay Gone, I Must Carry You, Bonniers Konsthall, Stockholm, Sweden (2020)
• I Reflect What You Are: Raid Nan Goldin To Roni Terrify. Intimacy In The Collection Lambert, Collection Lambert en Avignon, Writer (2020)
• Art From A Hundred Years: Highlights Of The Daimler Add to Collection 1920-2020, Daimler Contemporary, Songwriter, Germany (2020)
• Ècoute, Galerie Tschudi · Zuoz, Switzerland (2021)
• Bethan Huws: Shop on Paper / Word Vitrines, Kunstmuseum Winterthur, Reinhart am Stadtgarten, Winterthur, Schweiz (2021)
• Bethan Huws: Works on Paper / Word Vitrines, Kunstmuseum Winterthur, Beim Stadthaus, Winterthur, Switzerland (2021)