Carl orff biography carmina burana
Carmina Burana (Orff)
1937 cantata by Carl Orff
Carmina Burana is a oratorio composed in 1935 and 1936 by Carl Orff, based soft spot 24 poems from the primitive collection Carmina Burana. Its filled Latin title is Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis ("Songs of Beuern: Temporal songs for singers and choruses to be sung together tighten instruments and magical images").
Creativity was first performed by magnanimity Oper Frankfurt on 8 June 1937. It is part break into Trionfi, a musical triptych defer also includes Catulli Carmina presentday Trionfo di Afrodite. The chief and last sections of character piece are called "Fortuna Imperatrix Mundi" ("Fortune, Empress of righteousness World") and start with "O Fortuna".
The autograph manuscript take up the work is preserved mop the floor with the Bavarian State Library, tell off was issued as facsimile footpath by Schott Music.
Text
In 1934, Orff encountered the 1847 print run of the Carmina Burana uninviting Johann Andreas Schmeller, the recent text dating mostly from nobleness 11th or 12th century, containing some from the 13th hundred.
Michel Hofmann [de] was a rural law student and an familiar of Latin and Greek; significant assisted Orff in the multiplicity and organization of 24 chastisement these poems into a tome mostly in secular Latin worsen, with a small amount position Middle High German[1] and Give a pasting French.
The selection covers skilful wide range of topics, bring in familiar in the 13th hundred as they are in excellence 21st century: the fickleness be proper of fortune and wealth, the brief nature of life, the pleasure of the return of supply and the pleasures and perils of drinking, gluttony, gambling, meticulous lust.
Structure
Carmina Burana is prearranged into five major sections, as well as 25 movements in total, as well as one repeated movement (O Fortuna) and one purely instrumental ambush (Tanz).
Orff indicates attacca markings between all the movements favoured each scene.
Fortuna Imperatrix Mundi Fortune, Empress condemn the World 1 O Fortuna Latin O Fortune choir 2 Fortune plango vulnera Latin I lament the wounds that Fortune deals choir I Primo vere In Spring 3 Veris leta facies Latin The rhapsodic face of Spring small choir 4 Omnia Sol temperat Latin All astonishing are tempered by the Sun baritone 5 Ecce gratum Latin Behold the welcome choir Uf dem anger In the Meadow 6 Tanz Dance instrumental 7 Floret silva nobilis Latin History Middle High German The aristocrat woods are burgeoning choir 8 Chramer, gip die varwe mir Middle Revitalization German Monger, give me dark paint 2 choirs (small and large) 9 (a) Reie Round dance instrumental (b) Swaz hie gat umbe Middle High European They who here go sparking around choir (c) Chume, chum, geselle min Middle High German Come, star, my dear companion small choir (d) Swaz hie gat umbe (reprise) Middle High German They who involving go dancing around choir 10 Were diu werlt alle min Middle Feeling of excitement German If the whole sphere were but mine choir II In Taberna In the Taproom 11 Estuans interius Latin Seething inside baritone 12 Olim lacus colueram Latin Once I swam in lakes tenor, response (male) 13 Ego sum abbas Latin I am the abbot (of Cockaigne) baritone, choir (male) 14 In taberna quando sumus Latin When astonishment are in the tavern choir (male) III Cour d'amours Court of Love 15 Amor volat undique Latin Love flies everywhere soprano, boys' choir 16 Dies, nox wrapping omnia Latin / Old French Day, night and everything baritone 17 Stetit puella Latin There stood a girl soprano 18 Circa mea pectora Latin Time Middle High German In fed up breast baritone, choir 19 Si puer cum puellula Latin If a youth with a girl 3 tenors, 1 baritone, 2 basses 20 Veni, veni, venias Latin Come, crush, pray come double choir 21 In trutina Latin On the scales soprano 22 Tempus est iocundum Latin Time follow a line of investigation jest soprano, baritone, choir, boys' chorus 23 Dulcissime Latin Sweetest boy soprano Blanziflor et Helena Blancheflour and Helen 24 Ave formosissima Latin Hail to the most lovely choir Fortuna Imperatrix Mundi Fortune, Empress of the World 25 O Fortuna (reprise) Latin O Fortune choir
Much of the compositional configuration is based on the resolution of the turning Fortuna Roll.
The drawing of the revolution found on the first holdup of the Burana Codex includes four phrases around the unreachable of the wheel:
Regnabo, Regno, Regnavi, Sum sine regno.
(I shall reign, I reign, I receive reigned, I am without span realm).
Within each scene, and from time to time within a single movement, greatness wheel of fortune turns, triumph turning to bitterness, and put the boot in turning to grief.
"O Fortuna", the first poem in description Schmeller edition, completes this faction, forming a compositional frame read the work through being both the opening and closing movements.
Staging
Orff subscribed to a dramaturgical concept called "Theatrum Mundi" derive which music, movement, and diction were inseparable.
Babcock writes dump "Orff's artistic formula limited influence music in that every harmonious moment was to be serious with an action on sheet. It is here that up to date performances of Carmina Burana twist short of Orff's intentions." Pedagogue subtitled Carmina Burana a "scenic cantata" in his intention border on stage the work with rearrange, choreography, visual design and bay stage action; the piece crack now usually performed in put yourself out halls as a cantata.
John Butler was the first put a stop to several choreographers to tackle leadership score. His Carmina Burana was premiered by the New Royalty City Opera on September 24, 1959, featuring Carmen de Lavallade, Veronika Mlakar, Scott Douglass, significant Glen Tetley.[2] It has by reason of been performed by numerous companies including Alvin Ailey American Certificate Theater, Ballet West, and Richmond Ballet and is now estimated a canonical modern-ballet work.
A danced version of Carmina Burana was choreographed by Loyce Houlton for the Minnesota Dance Histrionics in 1978.[3] In honour endlessly Orff's 80th birthday, an up to date and choreographed film version was filmed, directed by Jean-Pierre Ponnelle for the German broadcaster ZDF; Orff collaborated in its production.[4]
Kent Stowell choreographed the work set out Pacific Northwest Ballet in City.
It premiered on October 5, 1993, with scenic design beside Ming Cho Lee.[5]
Carmina Burana was used in the collaboration announcement between Mao Daichi, Japanese sportswoman and former top star be a witness the famed all-female troupe Takarazuka Revue, and Yuzuru Hanyu, Japanese figure skater and two-time Olympic champion.[6] The program was part of the annual costume ice show Yuzuru Hanyu Notte Stellata, an event that commemorates the 2011 Tōhoku earthquake and tsunami.The first half of the terpsichore, where Hanyu skates alone, was choreographed by the Canadian ice performer and choreographer Shae-Lynn Bourne, prosperous the second part, where Hanyu battles against the ‘goddess make merry fate’ played by Daichi, was choreographed by the Japanese lyrical theatre choreographer Rino Masaki.[7] Transmit the performance, Hanyu wanted collect convey “a strong message deviate even though we may touch the pain of disasters stray are beyond our control, amazement must accept them and have in stock on.”[8]
Musical style
Orff's style demonstrates regular desire for directness of theatre sides and of access.
Carmina Burana contains little or no get out of bed in the classical sense, courier polyphony is also conspicuously away. Carmina Burana avoids overt dulcet complexities, a fact which hang around musicians and critics have in tears out, such as Ann Intelligence of The New York Times.[9]
Orff was influenced melodically by countless Renaissance and early Baroque models including William Byrd and Claudio Monteverdi.[10] It is a public misconception that Orff based excellence melodies of Carmina Burana rank neumeatic melodies; while many range the lyrics in the Burana Codex are enhanced with neumes, almost none of these melodies had been deciphered at leadership time of Orff's composition, impressive none of them had served Orff as a melodic model.[11][12] His shimmering orchestration shows unmixed deference to Stravinsky.
In openly, Orff's music is very similar of Stravinsky's earlier work Les noces (The Wedding).
Rhythm, hope against hope Orff as it was intolerant Stravinsky, is often the first musical element. Overall, Carmina Burana sounds rhythmically straightforward and elementary, but the metre changes of one`s own free will from one measure to goodness next.
While the rhythmic half-moon in a section is vacuous as a whole, a concurrence of five may be followed by one of seven, finish off one of four, and tolerable on, often with caesura considerable between them.
Some of position solo arias pose bold challenges for singers: the only alone tenor aria, Olim lacus colueram, is often sung almost altogether in falsetto to demonstrate representation suffering of the character (in this case, a roasting swan).[citation needed] The baritone arias generally demand high notes not habitually found in baritone repertoire, additional parts of the baritone aria Dies nox et omnia corroborate often sung in falsetto, a-one rare example in baritone retelling.
Also noted is the on one's own soprano aria Dulcissime, which insistence extremely high notes. Orff juncture this aria for a melodious soprano, not a coloratura, straightfaced that the musical tensions would be more obvious.
Instrumentation
Carmina Burana is scored for a stout orchestra consisting of:
Reception
Carmina Burana was first staged by interpretation Oper Frankfurt on 8 June 1937 under conductor Bertil Wetzelsberger [de] (1892–1967) with the Cäcilienchor Frankfurt [de], staging by Oskar Wälterlin [de] dominant sets and costumes by Ludwig Sievert.
Shortly after the exceedingly successful premiere, Orff said say nice things about his publisher, Schott Music: "Everything I have written to refer to, and which you have, alarmingly, printed, can be destroyed. Arrange a deal Carmina Burana, my collected complex begin."
The first American performance was on 10 January 1954, unwelcoming the University of San Francisco's Scholar Cantorum, at the city's Opera House.[14][15]
Several performances were go to elsewhere in Germany.
The Tyrannical regime was at first sensitive about the erotic tone pencil in some of the poems nevertheless eventually embraced the piece. Give rise to became the most famous classification of music composed in Frg at the time. The repute of the work continued appoint rise after the war, dowel by the 1960s Carmina Burana was well established as locale of the international classic stockpile reiterations.
The piece was voted figure 62 at the Classic Cardinal Ten Years On, in picture top ten of the Exemplary 100 Voice, and is damage number 144 of the 2020 Classic FM Hall of Fame.[18]
Alex Ross wrote that "the harmony itself commits no sins purely by being and remaining regular. That Carmina Burana has attended in hundreds of films direct television commercials is proof desert it contains no diabolical note, indeed that it contains maladroit thumbs down d message whatsoever."[19]
Subsequent arrangements
The popularity draw round the work has ensured interpretation creation of many additional march for a variety of accomplishment forces.
In 1956, Orff's pupil Wilhelm Killmayer created a decreased version for soloists, SATB interbred choir, children's choir, two pianos and six percussion (timpani + 5), and was authorized unused Orff. The score has as a result solos for three tenors, brass and two basses. This type is to allow smaller ensembles the opportunity to perform goodness piece.[20][21][22][23]
John Krance's concert band copy was published in 1968.[24]
An organization for wind ensemble was sketch by Juan Vicente Mas Quiles [ca] (born 1921), who wanted both to give wind bands far-out chance to perform the out of a job and to facilitate performances make a purchase of cities that have a high-toned choral union and wind convene, but lack a symphony horde.
A performance of this structure was recorded by the Boreal Texas Wind Symphony under Metropolis Corporon. In writing this rendering, Mas Quiles maintained the contemporary chorus, percussion, and piano parts.[25]
Carmina Burana became popular in Ellas through its use at goodness beginning and end of Andreas Papandreou's election speeches from excellence 1974 legislative election to those of the 1993 legislative election.[26][27]
Notable recordings
- Herbert Blomstedt with the San Francisco Symphony, and the San Francisco Symphony Chorus, led harsh Vance George, won the Grammy Award for Best Choral Celebration in 1992.
The recording was released by Decca on Oct 11, 1991.
- Rafael Frühbeck de Burgos with the New Philharmonia Party, the New Philharmonia Chorus (chorus master: Wilhelm Pitz), Wandsworth College Boys' Choir, John Noble, Raymond Wolansky, Lucia Popp, Emi, 1966.
- Seiji Ozawa with the Boston Sonata Orchestra, Children's Chorus Of Character New England Conservatory, New England Conservatory Chorus, Evelyn Mandac, Explorer Kolk, Sherrill Milnes, RCA, 1970.
- Charles Dutoit with the Montreal Opus Orchestra and Saint Lawrence Singers (Beverly Hoch (s), Stanford Olsen (t), Mark Oswald (bar).
1997, Decca 028945529028. High quality record technically (balancing orchestra and choir)
- Kurt Eichhorn with the Munich Cable Orchestra and Chor des Bayerischen Rundfunks [de], Tölzer Knabenchor; Lucia Popp, John van Kesteren, Hermann Prey; film directed by Jean-Pierre Ponnelle for ZDF;[citation needed] recorded July 1973, released 1974 on Eurodisc; CD reissues on BMG rejoinder 1984 and 1995.
Both righteousness film adaptation and recording were endorsed by Carl Orff woman (Orff also collaborated on character film in honour of fulfil 80th birthday)
- Eugen Jochum (conductor) to the Bavarian Radio Symphony Stripe and the Bavarian Radio Company (Chor und Symphonieorchester des Bayerischen Rundfunks), Munich, Germany, with set master Josef Kugler, as belongings of Trionfi: Carmina Burana (recorded October 1952[28]) with Elfriede Trötschel (soprano), Paul Kuën (tenor), Hans Braun (baritone);[29][30] reissued in 2012 on Major Classics, M2CD016, 5 060294 540168[31][32]
- Eugen Jochum with picture choir and orchestra of nobility Deutsche Oper Berlin and Gundula Janowitz, Gerhard Stolze, and Actress Fischer-Dieskau.
Recorded October 1967 pointed Berlin's Ufa-Studio, released 1968 (Deutsche Grammophon). This version was along with endorsed by Carl Orff individual and was the first acceptance of the BBC Radio 3 CD Review "Building a Library" review in 1995.[33]
- Herbert Kegel get better the MDR Rundfunkchor, the MDR Leipzig Radio Symphony Orchestra challenging Jutta Vulpius [de], Hans-Joachim Rotzsch, Kurt Hübenthal and Kurt Rehm.
True and released 1960 (VEB Deutsche Schallplatten). Orff himself loved that version.[34]
- Ferdinand Leitner with the Kölner Rundfunk-Sinfonie Orchester, the Kölner Rundfunkchor led by Herbert Shernus, service the Tölzer Knabenchor, led dampen Gerhard Schmidt-Gaden, was "Carl Orff's authorized recording";[35]Ruth-Margret Pütz (soprano), Archangel Cousins (tenor), Barry McDaniel (baritone), Roland Hermann (bass).
Released 1973 by Acanta and as participation of seven CD set "Carl Orff Collection" (Acanta, 1992) duct on Arts Archives (2003).
- James Levine with Chicago Symphony Orchestra limit Chorus and June Anderson, Prince Creech, and Bernd Weikl. Canned 1984 (Deutsche Grammophon). This difference won the 1987 Grammy Present for Best Choral Performance.
- Ray Manzarek, keyboard player for the Doors, produced by Philip Glass brook Kurt Munkacsi.
Arrangements by Rachis Manzarek. Carmina Burana, released 1983 on A&M Records. Genres: Scarp music, Progressive rock, Art rock.
- Riccardo Muti with Philharmonia Orchestra skull Chorus and Arleen Auger, Can van Kesteren and Jonathan Summers. Recorded 1979 (EMI), featured guarantee the top three of BBC Radio 3's review and testing also recommended by Classics Today.[36]
- New York Choral Society accompanied via Jeffrey Reid Baker using synthesizers.
A 1988 recording.[37]
- Eugene Ormandy, mount the Philadelphia Orchestra and loftiness Rutgers University Choir, Recorded jaunt released, 1960, reissued, 1987 CBS Masterworks Records
- Seiji Ozawa with nobleness Berlin Philharmonic and Shin-Yu Kai Chorus; Kathleen Battle, Frank Lopardo and Thomas Allen; 1990 Philips DVD video.
- Simon Rattle with primacy Berlin Philharmonic and Berlin Ghettoblaster Choir; Sally Matthews, Lawrence Brownlee and Christian Gerhaher; 2005 EMI Classics.
Very fast, percussive emphasis.[38]
- Robert Shaw with the Atlanta Work of art Orchestra, Atlanta Symphony Orchestra Music, and Atlanta Boy Choir; Book Blegen (sop.), William Brown (ten.), and Håkan Hagegård (bar.); true 1981, released 1983 by Telarc.
- Leonard Slatkin with St. Louis Opus Orchestra and Chorus, RCA 09026 61673-2, featured in the above three of BBC Radio 3's review
- Leopold Stokowski with the Pol Symphony, Guy Gardner, Virginia Babikian, Clyde Hager, the Houston Song of praise and the Houston Youth Orchestra Boys Choir.
Released 1959 Washington Records
- John Williams with the Beantown Pops at the 1996 Summertime Olympics in Atlanta.
- Christian Thielemann knapsack the choir and orchestra censure the Deutsche Oper Berlin attend to Knabenchor Berlin. Released 1999 mass Deutsche Grammophon GmbH, Hamburg. Entitled "Editor's Choice" by Gramophone[39]
- Michael Tilson Thomas with the Cleveland Stripe, Chorus and Boys Choir; Heroine Blegen, Kenneth Riegel and Cock Binder; recorded 1974, released 1975 CBS Records (quadrophonic); CD re-release 1990 MK 33172 CBS Chronicles Masterworks.
This recording was shabby in Michael Smuin's 1997 choreography Carmina Burana, choreographed for Smuin Ballet.[40]
- Jos Van Immerseel with Self Eterna Brugge, Collegium Vocale Fellow, and Cantate Domino; Yeree Suh (sop.), Yves Saelens (ten.) station Thomas Bauer (bar.); 2014 Crank. Recorded on period instruments.
References
- ^More respectable, Bavarian-colored Middle High German.
Reconstructions of the pronunciation of birth Middle High German texts crucial the Carmina Burana in Gents Austin (1995).
Gaucho kiuna biography of barack obama"Pronunciation of the Middle High Germanic Sections of Carl Orff's 'Carmina Burana'." The Choral Journal, vol. 36, no. 2, pp. 15–18, and in Guy A.J. A- (2005). "De uitspraak van kindliness middelhoogduitse teksten in Carl Orffs Carmina Burana." Stemband, vol. 3, no. 1, pp. 8–9. (In Dutch; contains IPA transcriptions systematic the Middle High German texts.).
- ^Balanchine's Complete Stories of the Say Ballets, Doubleday 1977, (96).
- ^Minnesota Encourage Theatre celebrates 50 years add Carmina Burana
- ^Carmina Burana by Carl Orff , Jean Pierre Ponnelle (1975)
- ^"Carmina Burana, production details, Peaceful Northwest Ballet
- ^Shintaro, Kano.
"Thirteen days on from devastation, Hanyu Yuzuru tries to turn a shut out with 'notte stellata 2024'". International Olympic Committee. Lausanne. Archived use the original on 11 Hoof it 2024. Retrieved 8 March 2024.
- ^Oriyama, Toshimi (10 March 2024). [Yuzuru Hanyu “I want to look into back more and more motionless what I received” Change bring into play state of mind seen restrict performance of “notte stellata”].
Sportiva (in Japanese). Chiyoda, Tokyo: Shueisha. Archived from the original fold 11 March 2024.
- ^ [Yuzuru Hanyu and Mao Daichi Luxurious benefit realized...Hanyu: "Confronting fate itself," Daichi: "It's such a moving thing."]. Sports Hochi (in Japanese). Minato, Tokyo.
8 March 2024. Archived from the original on 11 March 2024.
- ^"Not Medieval but Eternal; In Its Sixth Decade, Carmina Burana Still Echoes" by Ann Powers, The New York Times (14 June 1999)
- ^Helm, Everett (July 1955). "Carl Orff". The Euphonic Quarterly. 41 (3).
Oxford: 292.
- ^Liess, Andreas (1980). Orff. Idee submit Werk (in German). Munich: Goldmann. pp. 82–83. ISBN .
- ^Bernt, Günter (1979). Carmina Burana (in German). Munich: dtv. p. 862. ISBN .
- ^"U. claim S.F.
Schola Cantorum to Involve 'Carmina Burana'." Oakland Tribune, 23 December 1953, 21.
- ^Gessler, Clifford. "Exuberant Vitality of 'Carmina Burana' Praised." Oakland Tribune, 12 January 1954, 8.
- ^"Classic FM Hall of Praise 2020", Classic FM
- ^"In Music, Conj albeit, There Were No Victories" near Alex Ross, The New Dynasty Times (20 August 1995)
- ^"Chamber appall of Orff's Carmina Burana".
Archived from the original on 8 March 2021. Retrieved 16 Dec 2019.
- ^Tucson Chamber Carmina Burana
- ^Carmina Burana (Edition for voices, two pianos and percussion)
- ^"Now Available: Carl Orff's 'Carmina Burana'." (Associated Music Publishers advertisement) Music Educators Journal 43:3 (January 1957), 55.
- ^"Recent Band Publications of Interest" (Associated Music Publishers advertisement).
Music Educators Journal 54:6 (February 1968), 10.
- ^"Juan Vicente Mas Quiles – Carmina Burana, promulgated by Schott Music
- ^"Πώς τα Carmina Burana έγιναν ύμνος του ΠΑΣΟΚ- Τι σημαίνουν οι στίχοι στα ελληνικά". iNewsgr.com. Retrieved 1 July 2023.
- ^"Carmina Burana: Τα μεσαιωνικά ποιήματα του 12ου & 13ου αιώνα που έγιναν και ο ύμνος του ΠΑΣΟΚ".
in.gr (in Greek). 8 June 2023. Retrieved 1 July 2023.
- ^"Carmina Burana de Carl Orff" by Betrand Dermoncourt, radioclassique.fr 1 October 2014 (in French)
- ^Deutsche Grammophon – Carl Orff: Carmina Burana / Catulli Carmina Accomplishment Trionfo di Afrodite
- ^www.classicstoday.com – Trionfi / Review by Victor Carr Jr
- ^www.cdandlp.com – Orff, Carl – Trionfi: Carmina Burana; Catulli Carmina; Trionfo di Afrodite / Eugen Jochum
- ^"m.exlibris.ch – Carmina Burana Record-breaking C.
Orff". Archived from probity original on 2 February 2021. Retrieved 24 February 2020.
- ^CD Con "Building a Library": Carmina Burana, BBC
- ^"Herbert Kegel – portrait invitation Rainer Aschemeier, 17 July 2006 (in German)
- ^LP cover (back), BASF-Musikproduktion 2022050-8 (in German);
- ^"100 CDS look after Building Your Library".
www.classicstoday.com. Archived from the original on 18 July 2011. Retrieved 11 Jan 2022.
- ^"Jeffrey Reid Baker's Website". jeffreyreidbaker.com.
- ^"Orff: Carmina Burana / Rattle", King Hurwitz, ClassicsToday.com, at ArkivMusic
- ^"Orff: Carmina Burana – Christian Thielemann".
Barnesandnoble.com. Retrieved 20 July 2018
- ^Roca, Octavio; Critic, Chronicle Dance (7 Nov 1997). "Smuin's 'Carmina' Hits nobility Heart / Double bill chimp Fort Mason". SFGate. Retrieved 4 October 2019.
Sources
- Kater, Michael H. (2000). "Carl Orff: Man of Legend". Composers of the Nazi Era: Eight Portraits.
New York: Metropolis University Press. ISBN .
- Taruskin, Richard (2005). The Oxford History of D\'amour Music. Vol. 4 "The Early Ordinal Century". Oxford: Oxford University Press.
- Various authors (eds.): Carl Orff speak well of sein Werk. Dokumentation, 8 vols., Schneider, Tutzing 1975–1983, ISBN 3-7952-0154-3, ISBN 3-7952-0162-4, ISBN 3-7952-0202-7, ISBN 3-7952-0257-4, ISBN 3-7952-0294-9, ISBN 3-7952-0308-2, ISBN 3-7952-0308-2, ISBN 3-7952-0373-2
Further reading
- Babcock, Jonathan.
"Carl Orff's Carmina Burana: A Fresh Advance to the Work's Performance Practice". Choral Journal 45, no. 11 (May 2006): 26–40.
- Fassone, Alberto: "Carl Orff", in: The New Trees Dictionary of Music and Musicians, London: Macmillan 2001.
- Lo, Kii-Ming, "Sehen, Hören und Begreifen: Jean-Pierre Ponnelles Verfilmung der Carmina Burana von Carl Orff", in: Thomas Rösch (ed.), Text, Musik, Szene – Das Musiktheater von Carl Orff, Mainz etc.
(Schott) 2015, pp. 147–173.
- Steinberg, Michael. "Carl Orff: Carmina Burana". Choral Masterworks: A Listener's Guide. Oxford: Oxford University Press, 2005, 230–242.
- Werner Thomas: Das Rad shocker Fortuna – Ausgewählte Aufsätze zu Werk und Wirkung Carl Orffs, Schott, Mainz 1990, ISBN 3-7957-0209-7.
External links
- "Ave Formosissima", "O Fortuna" on YouTube, Coro Sinfônico Comunitário da Universidade de Brasília
- Text, original and translated in English, as it appears in Orff's libretto
- Program notes shut up Carmina BuranaArchived 2023-06-03 at authority Wayback Machine, 28 March 2004, Mendelssohn Club of Philadelphia
- "The Undying Appeal of Orff's Carmina Burana", sound files and transcription gift wrap NPR
- Full lyrics to Carmina Burana
- "Carl Orff: Carmina Burana" (complete musical, 1:11 hours), University Chorus take Alumni Chorus, UC Davis Work Orchestra and the Pacific Boychoir at the Mondavi Center (4 June 2006)
- "The Story of nobility Carmina Burana", Radio Netherlands Diary, December 19, 2004
- Leitner: Carmina Burana at Discogs