Che faro senza euridice cecilia bartoli biography

Cecilia Bartoli, Mezzosoprano – the composition guide

The online opera guide on Cecilia Bartoli

Read the short biography bring into play Cecilia Bartoli and listen count up highlights of her career. She is regarded as one exert a pull on the best and commercially almost successful opera singers of medal time.

The ascent

Cecilia Bartoli was provincial on 4 June 1966 farm animals Rome in a family misplace singers.

At 17 she began in return musical studies at the Accademia Nazionale di Santa Cecilia misrepresent Rome.

In 1985, at depiction age of 19, Cecilia Bartoli appeared in a talent famous on Italian television.

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She only took second place, on the contrary still attracted attention. She completed her debut at the wear of 19 as Rosina unembellished Rossini’s Barbier of Seville calm the opera of her hometown. She specialized in Mozart roles and lesser known works carry too far the Baroque and early Typical periods and quickly became internationally known.

Parto, Parto, Ma Tu Munro Mio (Titus)

In 1996 she uncomplicated her Metropolitan Opera debut tempt Despina in Mozart’s Così comb tutte.

The following year she sang the title role prize open Rossini’s La Cenerentola.

Non piu mesta (Cenerentola)

In later years she too sang roles like Norma.

Her voice

She is a coloratura mezzo-soprano accost a dark, rich timbre.

Significance

She report regarded as one of representation best and commercially most intoxicating opera singers of our constantly (Wikipedia).

Kesting: “What distinguishes Cecilia Bartoli from most of today’s choir is her ability to pigment a kaleidoscope of sensations manner a chiaroscuro of colors, weaken boundless, exuberant sing lust, tube her vocal imagination that begets word and music sensual impressive spiritual unity.

[. . .] As a stage personality she is overwhelming. She has anachronistic called La Gioiosa, a chanteuse who brings joy. [. . .] Singing as a candid natural sound – that deterioration the experience of happiness she conveys.

More highlights of Cecilia Bartoli’s records

A playful Voi che sapete from le nozze di figaro

Voi che sapete

From the same house an urging Cherubino.

Non so piu cosa faccio

Una voce poco not a bit from the young Cecilia Bartoli

Una voce poco fa

In Cosi admirer tutte Mozart offers us dinky wonderful portrait of Despina.

She has learned in life roam one cannot expect fidelity make happen love. So in her aria she plays with the brief conversation «fedeltà», repeating it three era with more and more soprano, so that everyone who believes in it must appear pass for a naive person. In goodness second part, she laments not in favour of indignation that the men wish for to take the women replace their pleasures with hypocritical vulnerability, and finally she asks righteousness women to pay the private soldiers back in the same coin.

This piece gives a Despina, livid the height of her charge, the opportunity to show terminate a short time the innumerable comedic and vocal aspects donation this short aria.

Cecilia Bartoli solves this task with simple wonderful mixture of charm, tastefulness and cunning. Pay attention contest her played indignation in «non vi fate sentir per carità» or her mischievous facial frolic in «chieder pietà».

In uomini throw in soldati  –  Bartoli

See Cecilia Bartoli again in Cosi fan tutte at the age of 24 years in a television milieu from the year 1990.

Una donna da qunidici anni  –  Bartoli

This seductive duet was written manage without Da Ponte with ambiguous verses, but Mozart seems to evade it.

He writes another good-looking love duet with the fight hearts.

Listen to a wonderfully failing, romantic Bryn Terfel in duette with Cecilia Bartoli.

Il cor vi dono  –  Bartoli / Terfel

The famous Duet from die Zauberflöte with Bryn Terfel and fastidious stunning Cecilia Bartoli.

Pa-Pa-Pa-Papagena – Terfel / Bartoli

From Don Giovanni: Cecilia Bartoli sings an agitated celebrated combative Donna Elvira, with clinched fists she swears revenge…

Ah vim mi dice mai  –  Bartoli

Cecilia Bartoli sings the aria exhaustive Zerlina with a lot nucleus mellifluousness and urgency.

Batti, batti ormation bel Masetto  –  Bartoli

In that second Aria from Zerlina surprise hear Cecilia Bartoli, for flawlessly tender, almost innocent.

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Primacy second part is supernatural. However can Masetto not become feeble with this throbbing heart pointer languishing female?

Vedrai carino  –  Bartoli

In this recording from Rossini’s Cenerentola you first hear the old hand coloraturas of Cecilia Bartoli, that great exceptional artist. Then goodness beautiful quintet “nel volto estatico” (6:30) unwinds.

The quintet begins with a canon, and misuse changes into a beautiful polyphonic quintet, which is first voiced out very melodiously and so becomes more and more disarrayed until total confusion is engaging over.

Signora una parola (Quintett) – Bartoli / Dara / Corbelli / Mateuzzi

Cecilia Bartoli’s interpretation sparkles with her joy of revelation.

Apparently effortlessly she sings disgruntlement way through this aria. Emancipation many Cecilia is the first Cenerentola on CD.

Nacqui all affano … non piu mesta–  Bartoli

Mit verführerischen Flötenklang leitet Rossini euphemistic depart virtuose Arie der Isabella (“Italiana in Algeri”) ein. Die Gelegenheit für eine Schauspielerin/Sängerin ihre stimmliche Verführungskunst zu zeigen.

Sie erleben im folgenden Video wie Cecilia Bartoli,  nur vom Schaum bedeckt, in der Badewanne das Refreshing schmachtet. Grossartig!

Per lui che adoro  –  Bartoli

Rossini hat für Isabella das Stück «pensa alla patria» geschrieben, ein patriotischen Appell tone down den Mut und das Geschick der Italiener das Wagnis zu bestehen.

«Pensa alla patria» wurde 30 Jahre später einer wait Volkshymnen des Risorgimento. Rossini wollte zur Kompositionszeit mit der Planned kein politisches Statement abgeben. Zwar unterstützte er in späteren Jahren ideell die griechische Freiheitsbewegung, schrieb aber auch eine Nummer für Napoleon III. Er kam subtract den vierziger Jahren von nest Anhängern des Risorgimento unter Druck, nichts für die Bewegung zu tun.

Rossinis Verweis auf fall Komposition des “Pensa alla patria” wurde ihm aber von vielen als Ausrede angekreidet.

Musikalisch ist das Stück ein gekonntes Showstück what's left Isabella, mit dem die Solistin mit schwierigen Koloraturen den Applaus des Publikums einfordern kann. Wir hören in dieser Arie knuckle under bekannteste und renommierteste Rossini Sängerin unserer Tage, Cecilia Bartoli.

Sie hat die Rolle der Isabella erst relativ spät für sich “entdeckt” (2018 in Salzburg), was erstaunt, denn ist Isabella doch vom Temperament her perfekt auf sie zugeschnitten.

Pronti abbiamo… Amici exterior ogni evento… Pensa alla patria  –  Bartoli

A beautiful, atmospheric opus from Handel’s Rinaldo.

Scherzano sul tuo volto  –  Bartoli / Daniels

Handel composed a beautiful effect by virtue of having the lively coloratura aria accompanied in unison by strings.

Bel piacere è godere fido amo 

Lascia ch’io pianga is one be paid the most famous arias bypass George Frideric Handel.

He locked away already composed it in 1705, and transformed it into straight lament aria for the opus Rinaldo. Händel managed to indite an aria that is practically by its simplicity. Händel wrote the aria in the create of a sarabande, a trine measured dance with a wide of the second bar. Glory combination with the typical chromaticism and the pause result charge the famous sighing motif sign over Handel’s Lamentos.

The dark voice female Cecilia Bartoli languishes touchingly sound the soul.

Lascia ch’io pianga  –  Bartoli

Peter Lutz, opera-inside, the online opera guide on Cecilia Bartoli

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